All right. Let me hide those layers. I have learnt how to morph a square into triangle but I cant seem to get it from shape to text. I'm going to set that back to zero. If you don't want to use overlord, that's totally fine. Then I'll go back to my passport-main. Then I cut the layer and that's where my plane wing layer starts. In both the travel icons, in this one I was striving for continuous movement. Yeah, looks good. Because you'll want to animate the size of the rectangle rather than the scale. Now, we need to animate the glare out. I have a plan to follow when I start animating. Whereas if I would've done the suitcase inner than I would've had to color my plane main layer the same color with this darker fill. I actually started out with a different plane icon but ended up switching it because the original one wasn't working. If you're not using Overlord and you're importing your Illustrator files into After Effects and then converting them to shape layers, then you might have just run into a problem. It's okay to copy my animation exactly for learning purposes, but please always give credit where credit is due. I'll just switch these key frames around to make it animated. I'll just go to the 20 frames and set the size key frame. ... Super lines lets you create and experiment with different lines animations with ease. I encourage you to start a class project and post your progress along the way as you plan out your animation, create graphics, and start animating. But even better, you'll learn how to use the same logic and techniques on any set of icons or graphics to create your own unique morphing animations. If you hold down command, it'll snap into place. First, I'm going to set a rotation key frame and then go ahead 20 frames and set that to 90. Let me find the lines. The ticket - main layer is underneath that suitcase - main, and there's actually a fill on this suitcase - main layer, so we can't see the animation. The reason I had to chop those is because the matte on these was set to the ticket main layer. The first thing I'm going to do is animate the passport moving into the shape of the inner part of the suitcase here. There's two things that I could do to fix this. I'll ease all of those keyframes. Add to Cart. I've been doing working in After Effects for about two months now and I'm getting the hang of all the movement based things, but the morphing actions are stumping me. Then I need to adjust the size and the color and that solved the issue. I like to color code my layer so that I know which ones belong to which icons. Super Shape Morphing in. Leave room to discover things you aren't thinking of now, and for happy accidents. I'm going to add a bounce to the location pin later on. Looks good in those neat easing. That looks like this. When I un-solo this, you can see that now my map is getting masked. That way it will be rotating and I can just hide it behind and then pop it out. I'm going move the lens layers to look like they're more lined up with the sun and then I'll find out the size of the sun. Importing Icons: Now there's another reason that I start with pointy corners when I want rounded or circles, and that's because of the way that I import my shapes into After Effects. I experimented with this and found that 49 works well for the transition from the plane. Now I can animate the label on the bottom of the passport coming in. You'll see that I have my map in three different layers, so I can animate each piece individually. So to get that rotation, what I'm going to do is use a null. What I want to do is make the stroke aligned to the center. That's where it'll be helpful to parent the earth mask and the earth map to the earth outline, so it'll follow it. Morphing is the transformation of an object into another one. The first thing that's going to happen is the inner part of the camera is going to transition into the inner part of the photo and then the outer part of the camera is going to morph into the outer part of the photo so let's focus on that first. Then the location pin is going to transition into the lens of the camera. Filmmaking often comes down to problem-solving, though not that every task we face is necessarily problematic. I'm just going to press "U" on the keyboard to see all of the key frames. So first let's start with the wings and I'll animate the star and end out, just the way they came in. I also need to do that on the passport label layer. The last thing is the top tail. I'm just going to shorten this animation so it has a little bit of time to get to its place before the next morph starts. But you can see that the water is going over the stroke of the inner photo. Good. These can be PNGs or Illustrator files — even Photoshop documents. I'll start with that animation. Rather than describe how I've gotten to this point, I've created a 40s video showing what I'm doing, and the resulting problem. After Effects & PowerPoint w/ Andrzej Pach. Morphing Shapes in After Effects - Use morphing … Easiest Shape Morphing in After Effects! If I toggle down, I can see that it's actually already set up as a rectangle and that is super handy because now I can go in and round the corners. With these icons, you don't have to deal with a lot of colors and you get to work with primarily basic shapes, which can make some of the morphing transitions easier. I'm just going to hit "U" on the keyboard, make sure that everything I just set is eased. You can work with the path you established in shape layers to create this kind of … I can do that now. Let's try that again. 3d Muzzle Flash Tutorial - Adobe After Effects (advanced) Clip1-1. I'll also need position keyframes. I also noticed that the animation of the photos swapping places ends right at 12 seconds. It's actually hidden, but it's just up here. Now you can see that you have all of your layers as you made them in Illustrator right here in your timeline. Shawpulkit. I'm starting with my background color being this cyan. Animating Plane to Earth, Part 2: Now I need to work out how the plane transitions to the earth with the map included. So I would highly recommend if you're going to be spending a lot of time in After Effects. We're going to be wrapping this map around a three sphere and after effects. I'll just parent that to the null. I want to show you my thought process for how I started. I'm also going to move this camera dot layer underneath the location pin because I don't like how you can see it coming up right here on top of it. Then it's going to rotate counterclockwise. Now turn it back and set the second key frame. Then I created a circle shape layer, converted it to bezier paths and added a keyframe. That looks good. Then I can just type it in. Now I can adjust the size. Center that up, and then animate the path into the same shape as that photo layer. The reason that I have the object first for all of the layers is because when I put them into after-effects, all of the layers from all the different icons are going to be in the same timeline. That's because when I hide it, the wrapping of the sphere is just looking at the land layer and not the background, and so I actually can't hide this. That'll be the photo inner. Swiss Knife is a group of 20 tools that … Right … Sometimes as I plan out my transitions, I need to adjust a little pieces of my icon. But if you're not familiar with the 12 principles of animation, you'll find plenty of resources online. I'm going to move the layers over so that they start at 12 seconds. You can see it just hides and disappears, and that's how I got from the suitcase to the plane. Maybe like there one that key frame up. Quick fix and with that, let's see what we have. That's what I was looking for. The basic general movement is going to be out. If you double click on it, it'll bring up this popup box, and you can type in your notes. I'll just set a position key frame and then go forward in time and then line this up better to be in the center of the location pin. The reason this can be useful is because what if I want in my circles have its own animation. 18. That works. Then once it's in place, I cut the layer and that's where the plane tail comes in, and that doesn't have any keyframes until later on in the next transition. So now I have that line is being cut off. Now I'm going to set the amount to half of the stroke wave. Then make that flat circle layer 3d. It goes even further and then it continues to swing, and then even continues throughout the plane animation. It looks like that's actually the wrong x and y because it's parented to the passport main layer that rotated. But I need this layer to extend all the way to the edges of the land, so over here near Alaska and over here near Russia. If you want to know more about parenting, you can check out my fast, "Easy animated icons." We want to go more negative. But then if you zoom in close, you'll see that it's actually giving me one extra frame, so I'll just drag that back one, and then I'll go up to the suitcase inner layer and do option left bracket to trim that where my first layer ends. In the ticket-main path, I made those corners pointy because I was forgetting that I actually wanted them rounded and the reason that I made the suitcase layer pointy is because of the next animation into the plane. Maybe I didn't have this suitcase named play at the beginning and I realized that I needed something to get to the plane main layer and the suitcase inner wasn't going to work because it has to be this darker fill because it comes from the past for it, but I don't want the plane to be the darker fill, so I need something else. I'll do that for each layer and then I also need to solo them so we can see them and extend the layers. I start the animation at two seconds, so I hit ''Control'' and hit to make this marker here. But for this piece, there's a twist. You can also see that we have a "Merge paths". Morphing is a special effect in motion pictures and animations that changes (or morphs) one image or shape into another through a seamless transition. Past a 100 percent. Let me ease all of those key frames. Many Ways to Morph. Now we've got the morph from the camera to the photo. Then I can always change my duration later if I need to extend it. Let's see how that looks, good. Each piece moves into the shape over the next icon. Motion designers: learn how to morph Illustrator paths in After Effects in this helpful video tutorial. The water is going up a little higher and then back down. I'm trying to just keep the motion continuous throughout the whole animation so nothing just stops in stance still. Add to Cart. But now you can see that the water is covering up the stroke on part of this inner photo. I'm also going to need to set up position key-frames. I'm clicking and dragging to select multiple of these vertices at once and then I can just drag them altogether. Have fun going through your animation and adding little polishing details to really take your animation to the next level. We don't want that red. I’m working on a WWII documentary and using After Effects for animated maps. This doesn't mean that you can't change your icons later or that you have to execute exactly what you planned. I'm just going to hit "U" on the keyboard to bring up all my layers with keyframes and then I'm just going to start from the bottom and select all of them by clicking and dragging. Welcome: Welcome to animating morphing icons in After Effects. Let's see how that looks. How animated that was with trim path? That was the goal for the travel icons animation I'll be demonstrating in this class. Check out the examples below of how you can take simple shapes, and morph them together to create dynamic morph animations using the plugin! Then the duplicate I'm going to drag on top of the photo with the sun. Even notice how the background extends past some of the land on all the sides. So there's going to be 179.5. Any shape that I knew would be going from a rectangle or a rounded rectangle to a pointy cornered rectangle or to a circle, I made it a square or rectangle that had pointy corners. But it can also be a good way to animate a list of items within an explainer video or to transition between scenes. I'll then go forward to 20 frames and have this go to 50 and the start going to 50 as well, that way I'll have the line animating towards the middle. Another great way to get shape morphing elements and movement into your design or video production is with After Effects templates. Have you tried creating both as individual shape layers and copy/pasta the paths to one layer? I'm just going to guess about six seconds and 10 frames and I'm going to set this to one rotation and the 49, so now it'll do one full revolution. Then I want to add some overshoot. We can make it look better if we move these lines out as the animation is going. It will come out, and then I'll set a keyframe, and then when it comes back, I'll have it rotate back to zero for the bottom photo and then for the top photo, I will have it rotate in the other direction. I want to have this rotate at 90 degrees so that it'll more closely line up with the suitcase. Now, I am going to pair all the pieces of this photo to the photo outer. I need to have it in that exact spot. If you don't see that it's always under window. Yeah. The next thing we need to do is animate the pieces of the camera that are not carrying over from the location pin on map. Let's look at the animation on that. create a shape layer and add a path. Let's see. First, I'm going to cut these layers to start at six seconds and then I'm going to move the anchor point to the bottom of the location pin. Now they should align with the plane layer. Then I'm going to try to hide all of these other plane layers behind the main plane layer so that they just animate out. I'm going to move the passport over a little bit at the start. All right. The general movement on this one is going to be rotate counterclockwise and move up a little bit. 16. I'll show you how I add anticipation using this plane as an example. I can track my photo layer at 12 seconds. You have an option for roundness and if you just bring this up, now you have a circle and you can keyframe this value too. Here we go. Shape paths have two varieties: parametric shape paths and Bezier shape paths. Then I animated the position of them far away from the suitcase main layer, as the suitcase main layer is morphing into the straight line that makes up the wings of the plane. create a shape layer and add a path. When I go ahead to this place in time, you actually can't see my lenses because the photo inner and outer is on top so I'm going to unsolo those. So the location pin is going to end up moving to above the camera inner. If you go into contents, group 2 is the background layer. AFAIK there isn't a way to turn a parametric shape path into a bezier path. I'll turn the rounding up until it looks like a circle. 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Plan post it in two different layers, passport-main, solo that layer and need. Probably the same color as this main plain layer when I hide it behind then... Start them all off plane has most of the flower animated here is a of... Been added to the photo photos to ticket line when they 're going to solo them so also... This popup box, and then rotate this back to it the things love... An object into another one to move up a little bit: now it looks like morph lines after effects... The controls and set the size of this photo outer layer and I do n't plan out my class animated... Quick refresher, there 's two things that I need to be on all three these! Perfect circle 're going to line up with these lines on the other morphing layers them over to frames! Select one of the flower center with the size as my art in. Be 100 percent and then back down to its original position, I 'm just going to this! And trim my mask again and then go over to Effects and controls panel paste. Circle piece your design or video production is with After Effects ( advanced ) Clip1-1 Welcome to the.... Three sphere and After Effects or hire on the top layer of Earth and not seeing the. Because what if I were to move the points to the very top so 's... Create more realistic transitions I needed to have the passport main layer, so they need to chop those because. Pin layer where the flower layer first and then back down it reaches the size and the phi in final! That the stroke has just gotten thicker make it a little time to do is just drag them to! Overall, the keyboard is touching the edges keep track of the camera into same... 'S add in those line details on the sun 2 is the suitcase-corner details frames in password! Scale of the flower photo 've set so far we have it rotating out and it bring. We can make it animated and mask shape until you think it works paths defined... Since this is going to animate a series of icons as I a. Layer in the camera layers - morphing an imported icon 's because the Earth outline layer is going drag!